In Japanese, the word “ kami” means “god” or “spirit” as well as “paper.” Shibata is not intimidated by the blankness of a fresh sheet of paper and instead sees limitless possibilities. Not only is paper a convenient and inexpensive material, but it also has deep significance for the artist. When illuminated by light, the tiers of white paper glow to express a cinematic depth. By using dozens (and sometimes over 100) sheets of paper, Shibata crafts intricate cityscapes and forests that are compiled into hand-bound books and contained inside glass jars. Artist Ayumi Shibata practices the Japanese art of paper cutting to create layered, three-dimensional sculptures.
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